A Raku module to make MIDI files.
use MIDI::Make;
my \t = Track.new;
t.copyright: 'c 2022 anonymous';
t.name: 'melody';
t.instrument: 'piano';
t.controller: 8, 100;
t.program-name: 'electric piano';
t.port: 'MIDI Out 1';
t.channel 1;
t.program-change: 100;
t.aftertouch: 100;
t.pitch-bend: 0;
t.marker: 'section I';
t.text: 'Lorem ipsum dolor sit amet.';
t.key-signature: 2♭, minor;
t.tempo: ♩80;
t.time-signature: 3\2;
t.aftertouch: 100, 53;
t.note-on: 60;
t.lyric: 'one';
t.delta-time: 128;
t.note-off: 60;
t.cue: 'door slam';
t.velocity-on: 80;
t.velocity-off: 10;
t.note-on: 72;
t.lyric: 'two';
t.delta-time: 128;
t.note-off: 72;
t.sysex: <0A 29 1E>;
t.add-bytes: <00 F0 0A 29 1E F7>;
my \s = Song.new(:PPQ(96));
s.add-track(t.render);
# Print the MIDI contents.
say s.render;
# Save the MIDI contents to file.
spurt 'file.mid', s.render;MIDI::Make uses Semantic Versioning.
You can install MIDI::Make using Zef.
➤ zef install MIDI::Make
use MIDI::Make;MIDI::Make works by creating the Song class and then populating it with zero or more tracks created using the Track class. The resulting MIDI information can be outputed using the Song class's render method.
The Song class is used to store and modify MIDI information in order to create a MIDI file. It has some optional parameters, the add-track method to add tracks, and the render method to output the MIDI information created up to that point.
# Instantiating without parameters.
my \s = Song.new;Parameters can be set on instantiation, or anytime afterwards.
The format parameter specifies the type of MIDI file format to use.
It can have three values: 0, 1, or 2. The default is 1.
- 0 - All data is merged on a single track.
- 1 - Tracks are separated, and played together.
- 2 - Tracks are separated, and played one after the other.
# Set on instantiation.
my \s = Song.new(:format(0)); # Set after instantiation.
my \s = Song.new;
s.format: 0;The time-division parameter defines how MIDI time will be divided.
It can have two values: quarter for quarter notes, and frame. The default is quarter.
# Set on instantiation.
my \s = Song.new(:time-division('frame')); # Set after instantiation.
my \s = Song.new;
s.time-division: 'frame';The PPQ parameter sets the pulses per quarter note of the time-division parameter when the latter is set to quarter. If time-division is set to frame, PPQ is ignored.
The PPQ value is from 0 to 32767. The default is 48.
# Set on instantiation.
my \s = Song.new(:PPQ(96)); # Set after instantiation.
my \s = Song.new;
s.PPQ: 96;The FPS parameter sets the frames per second of the time-division parameter when the latter is set to frame. If time-division is set to quarter, FPS is ignored.
FPS can have four values: 24, 25, 29.97, or 30. The default is 24.
# Set on instantiation.
my \s = Song.new(:time-division('frame'), :FPS(30)); # Set after instantiation.
my \s = Song.new;
s.time-division: 'frame';
s.FPS: 30;The PPF parameter sets the pulses per frame of the time-division parameter when the latter is set to frame. If time-division is set to quarter, PPF is ignored.
The PPF value is from 0 to 255. The default is 4.
# Set on instantiation.
my \s = Song.new(:time-division('frame'), :PPF(8)); # Set after instantiation.
my \s = Song.new;
s.time-division: 'frame';
s.PPF: 8;The add-track method accepts a rendered track, and adds it to the Song class.
# Create a track.
my \t = Track.new;
t.note-on: 60;
t.delta-time: 100;
t.note-off: 60;
# Add it to the Song class.
my \s = Song.new;
s.add-track(t.render);The render method renders the MIDI file information gathered up to that point.
my \s = Song.new;
say s.render;MIDI::Make creates two operators that serve as helpers for the Track class described below.
The quarter notes per minute operator transforms quarter notes per minute to microseconds per quarter note.
This permits specifying tempo in a musical human-readable way.
# 60 QPM using microseconds per quarter note.
my \t = Track.new;
t.tempo: 1000000;
# 60 QPM using the MIDI::Make operator.
my \t = Track.new;
t.tempo: ♩60;The time-signature operator is used to specify a time-signature for the Track class's time-signature method.
my \t = Track.new;
t.time-signature: 3\8;The Track class is used to create a MIDI track which can then be added to the Song class.
# Instantiating without parameters.
my \t = Track.new;Parameters can be set on instantiation, or anytime afterwards.
The copyright parameter lets you set the MIDI file's copyright using ASCII characters.
Note: This copyright is usually placed at time 0 of the first track in the sequence.
# Set on instantiation.
my \t = Track.new(:copyright('c 2022 anonymous')); # Set after instantiation.
my \t = Track.new;
t.copyright: 'c 2022 anonymous';The name parameter lets you set the track's name using ASCII characters.
# Set on instantiation.
my \t = Track.new(:name('melody')); # Set after instantiation.
my \t = Track.new;
t.name: 'melody';Delta time sets the time in MIDI pulses between MIDI events.
The delta-time value is from O to 268435455. The default is 0.
Note: Although it's possible to instantiate delta-time to a value other than 0, usually you will start a MIDI file with a MIDI event, and not a period of time.
# Set on instantiation.
my \t = Track.new(:delta-time(100)); # Set after instantiation.
my \t = Track.new;
t.delta-time: 100;Delta-time is automatically set to 0 after each of the MIDI events implemented in the Track class. This is done so that you can enter many MIDI events consecutively before setting a new delta-time.
my \t = Track.new;
t.note-on: 60;
t.delta-time: 100; # Wait 100 MIDI pulses before following events.
t.note-off: 60;
t.note-on: 62;
t.note-on: 64;
t.delta-time: 200; # Wait 200 MIDI pulses before following events.
t.note-off: 62;
t.note-off: 64;Channel sets the MIDI channel to use.
The channel value is from 0 to 15. The default is 0.
# Set on instantiation.
my \t = Track.new(:channel(1)); # Set after instantiation.
my \t = Track.new;
t.channel: 1;velocity-off sets the note-off velocity.
The velocity-off value is from 0 to 127. The default is 0.
Note: A velocity for a note-off seems weird, but it can change the sound on certain instruments like an organ on which notes can be depressed at different speeds.
# Set on instantiation.
my \t = Track.new(:velocity-off(10)); # Set after instantiation.
my \t = Track.new;
t.velocity-off: 10;velocity-on sets the note-on velocity.
The velocity-on value is from 0 to 127. The default is 0.
# Set on instantiation.
my \t = Track.new(:velocity-on(60)); # Set after instantiation.
my \t = Track.new;
t.velocity-on: 60;The text method adds any type of text to a track.
my \t = Track.new;
t.text: 'Lorem ipsum dolor sit amet.';The instrument method lets you set the track's instrument using ASCII characters.
my \t = Track.new;
t.instrument: 'piano';The lyric method adds a lyric anywhere on the track.
my \t = Track.new;
t.lyric: 'one';The marker method allows you to mark the beginning of important sequences in a track. E.g. section I, section II, outro, etc.
my \t = Track.new;
t.marker: 'section I';The cue method adds a cue anywhere on the track.
my \t = Track.new;
t.cue: 'door slam';The program-name method adds a program name anywhere on the track.
my \t = Track.new;
t.program-name: 'electric piano';The port method adds a MIDI port name anywhere on the track.
my \t = Track.new;
t.port: 'MIDI Out 1';The tempo method sets the MIDI tempo. It accepts one argument: The tempo in microseconds per quarter note. You can either set it with a value from 0 to 16777215, or use the quarter notes per minute operator defined earlier in this file. The default value is 500000 which is equivalent to a tempo of 120 quarter notes per minute.
my \t = Track.new;
t.tempo: 1000000; # Set the tempo to 60 quarter notes per minute.
t.tempo: ♩120; # Set the tempo to 120 quarter notes per minute.The time-signature method sets the MIDI time-signature. It accepts three optional arguments:
-
The time-signature set using the time-signature operator defined earlier in this file. The default is 4\4.
-
The pulses per metronome click (PPMC). This value can be from 0 to 255. The default is 24.
-
32nds per quarter note. This value can be from 0 to 255. The default is 8.
my \t = Track.new;
t.time-signature: 3\4;
t.time-signature: 4\4, 48;
t.time-signature: 2\8, 32, 12;The key-signature method sets the key-signature of the piece. It accepts two optional arguments:
-
The key which is defined as the number of accidentals. This value can be from -7 to 7 where -1 to -7 is the number of flats, and 1 to 7 is the number of sharps. It is also possible to use 1♭, 2♭ ... 7♭ instead of -1 to -7 for flats, and 1♯, 2♯ ... 7♯ instead of 1 to 7 for sharps. You can also use 0♭ or 0♯ instead of 0.
-
The mode which is either 0 for major, or 1 for minor. MIDI::Make provides you with the Modes enums that you may use instead of 0 and 1.
my \t = Track.new;
t.key-signature: -2, 1; # G minor
t.key-signature: 2♭, 1; # G minor with unicode number of flats.
t.key-signature: 2♭, minor: # G minor with Modes enum.The note-off method creates a note off. It accepts two arguments: The note number from 0 to 127 (required), and the velocity-off from 0 to 127 (optional). The default velocity-off is the one set by the velocity-off parameter.
my \t = Track.new;
t.note-off: 60; # velocity-off == 0
t.note-off: 62, 10; # velocity-off == 10
t.note-off: 64; # velocity-off == 0
t.velocity-off: 10;
t.note-off: 66; # velocity-off == 10The note-on method creates a note on. It accepts two arguments: The note number from 0 to 127 (required), and the velocity-on from 0 to 127 (optional). The default velocity-on is the one set by the velocity-on parameter.
my \t = Track.new;
t.note-on: 60; # velocity-on == 127
t.note-on: 62, 100; # velocity-on == 100
t.note-on: 64; # velocity-on == 127
t.velocity-on: 100;
t.note-on: 66; # velocity-on == 100The aftertouch method is a multi method for both note aftertouch, and channel aftertouch.
For a note aftertouch, you provide two arguments: The aftertouch amount from 0 to 127, and the note number from 0 to 127.
For a channel aftertouch, you simply provide the aftertouch amount.
my \t = Track.new;
t.aftertouch: 100, 53; # note aftertouch
t.aftertouch: 100; # channel aftertouchThe controller method is used to set a controller MIDI event.
The first argument is the controller number from 0 to 127. The second argument is the controller value also from 0 to 127.
my \t = Track.new;
t.controller: 8, 100; # balance_MSB of 100.You can also call specific controllers using the following methods:
| # | method | value | use | definition |
|---|---|---|---|---|
| 0 | bank-select_MSB | 0-127 | MSB | Change patch banks. |
| 1 | modulation_MSB | 0-127 | MSB | Create a vibrato effect. |
| 2 | breath_MSB | 0-127 | MSB | Breath controller. |
| 3 | - | - | - | - |
| 4 | foot-pedal_MSB | 0-127 | MSB | Foot pedal data. |
| 5 | portamento-time_MSB | 0-127 | MSB | Control portamento rate. |
| 6 | data-entry_MSB | 0-127 | MSB | Control value for NRPN/RPN parameters. |
| 7 | channel-volume_MSB | 0-127 | MSB | Control the channel volume. |
| 8 | balance_MSB | 0-127 | MSB | Control left/right balance for stereo. |
| 9 | - | - | - | - |
| 10 | pan_MSB | 0-127 | MSB | Control left/right balance for mono. |
| 11 | expression_MSB | 0-127 | MSB | Expression is a percentage of volume. |
| 12 | effect-control_1_MSB | 0-127 | MSB | Control an effect parameter. |
| 13 | effect-control_2_MSB | 0-127 | MSB | Control an effect parameter. |
| 14-15 | - | - | - | - |
| 16 | general-control_1_MSB | 0-127 | MSB | General purpose controller. |
| 17 | general-control_2_MSB | 0-127 | MSB | General purpose controller. |
| 18 | general-control_3_MSB | 0-127 | MSB | General purpose controller. |
| 19 | general-control_4_MSB | 0-127 | MSB | General purpose controller. |
| 20-31 | - | - | - | - |
| 32 | bank-select_LSB | 0-127 | LSB | Change patch banks. |
| 33 | modulation_LSB | 0-127 | LSB | Create a vibrato effect. |
| 34 | breath_LSB | 0-127 | LSB | Breath controller. |
| 35 | - | - | - | - |
| 36 | foot-pedal_LSB | 0-127 | LSB | Foot pedal data. |
| 37 | portamento-time_LSB | 0-127 | LSB | Control portamento rate. |
| 38 | data-entry_LSB | 0-127 | LSB | Control value for NRPN/RPN parameters. |
| 39 | channel-volume_LSB | 0-127 | LSB | Control the channel volume. |
| 40 | balance_LSB | 0-127 | LSB | Control left/right balance for stereo. |
| 41 | - | - | - | - |
| 42 | pan_LSB | 0-127 | LSB | Control left/right balance for mono. |
| 43 | expression_LSB | 0-127 | LSB | Expression is a percentage of volume. |
| 44 | effect-control_1_LSB | 0-127 | LSB | Control an effect parameter. |
| 45 | effect-control_2_LSB | 0-127 | LSB | Control an effect parameter. |
| 46-47 | - | - | - | - |
| 48 | general-control_1_LSB | 0-127 | LSB | General purpose controller. |
| 49 | general-control_2_LSB | 0-127 | LSB | General purpose controller. |
| 50 | general-control_3_LSB | 0-127 | LSB | General purpose controller. |
| 51 | general-control_4_LSB | 0-127 | LSB | General purpose controller. |
| 52-63 | - | - | - | - |
| 64 | hold_1-pedal | <63=off | 64>=0n | Sustain pedal 1 on/off switch. |
| 65 | portamento | <63=off | 64>=0n | Portmento on/off switch. |
| 66 | sostenuto | <63=off | 64>=0n | Sostenuto on/off switch. |
| 67 | soft-pedal | <63=off | 64>=0n | Soft pedal on/off switch. |
| 68 | legato-footswitch | <63=off | 64>=0n | Legato on/off switch. |
| 69 | hold_2-pedal | <63=off | 64>=0n | Sustain pedal 2 on/off switch. |
| 70 | sound-control_1 | 0-127 | LSB | Sound control. (variation) |
| 71 | sound-control_2 | 0-127 | LSB | Sound control. (resonance) |
| 72 | sound-control_3 | 0-127 | LSB | Sound control. (release time) |
| 73 | sound-control_4 | 0-127 | LSB | Sound control. (attack time) |
| 74 | sound-control_5 | 0-127 | LSB | Sound control. (cutoff frequency) |
| 75 | sound-control_6 | 0-127 | LSB | Generic sound control. |
| 76 | sound-control_7 | 0-127 | LSB | Generic sound control. |
| 77 | sound-control_8 | 0-127 | LSB | Generic sound control. |
| 78 | sound-control_9 | 0-127 | LSB | Generic sound control. |
| 79 | sound-control_10 | 0-127 | LSB | Generic sound control. |
| 80 | general-control_5 | 0-127 | LSB | Generic or decay on/off switch. |
| 81 | general-control_6 | 0-127 | LSB | Generic or hi-pass on/off switch. |
| 82 | general-control_7 | 0-127 | LSB | Generic on/off switch. |
| 83 | general-control_8 | 0-127 | LSB | Generic on/off switch. |
| 84 | portamento-control | 0-127 | note | Control portamento amount. |
| 85-87 | - | - | - | - |
| 88 | hi-res-velocity-prefix | 0-127 | MSB | Extend the range of velocities. |
| 89-90 | - | - | - | - |
| 91 | effect_1-depth | 0-127 | LSB | Effect control. (reverb) |
| 92 | effect_2-depth | 0-127 | LSB | Effect control. (tremolo) |
| 93 | effect_3-depth | 0-127 | LSB | Effect control. (chorus) |
| 94 | effect_4-depth | 0-127 | LSB | Effect control. (detune) |
| 95 | effect_5-depth | 0-127 | LSB | Effect control. (phaser) |
| 96 | data-increment | N/A | N/A | Increment data for NRPN/RPN messages. |
| 97 | data-decrement | N/A | N/A | Decrement data for NRPN/RPN messages. |
| 98 | NRPN_LSB | 0-127 | LSB | NRPN for controllers: 6, 38, 96, 97 |
| 99 | NRPN_MSB | 0-127 | MSB | NRPN for controllers: 6, 38, 96, 97 |
| 100 | RPN_LSB | 0-127 | LSB | RPN for controllers: 6, 38, 96, 97 |
| 101 | RPN_MSB | 0-127 | MSB | RPN for controllers: 6, 38, 96, 97 |
| 102-119 | - | - | - | - |
| 120 | all-sounds-off | 0 | - | Mute all sounds. |
| 121 | reset-controllers | 0 | - | Reset all controllers to defaults. |
| 122 | local-switch | 0=off | 127=on | MIDI workstation on/off switch. |
| 123 | all-notes-off | 0 | - | Mute all sounding notes. |
| 124 | omni-mode-off | 0 | - | Set to omni mode off. |
| 125 | omni-mode-on | 0 | - | Set to omni mode on. |
| 126 | mono-mode | 0-127 | num-channel | Set device mode to monophonic. |
| 127 | poly-mode | 0 | - | Set device mode to polyphonic. |
Ex:
my \t = Track.new;
t.pan_MSB: 64;It's also possible to call the MSB and LSB counterparts (controllers in the range of 0-63) with one function. This permits specifying a value between 0 and 16383 in one go.
| method | value | definition |
|---|---|---|
| bank-select | 0-16383 | Change patch banks. |
| modulation | 0-16383 | Create a vibrato effect. |
| breath | 0-16383 | Breath controller. |
| foot-pedal | 0-16383 | Foot pedal data. |
| portamento-time | 0-16383 | Control portamento rate. |
| data-entry | 0-16383 | Control value for NRPN/RPN parameters. |
| channel-volume | 0-16383 | Control the channel volume. |
| balance | 0-16383 | Control left/right balance for stereo. |
| pan | 0-16383 | Control left/right balance for mono. |
| expression | 0-16383 | Expression is a percentage of volume. |
| effect-control_1 | 0-16383 | Control an effect parameter. |
| effect-control_2 | 0-16383 | Control an effect parameter. |
| general-control_1 | 0-16383 | General purpose controller. |
| general-control_2 | 0-16383 | General purpose controller. |
| general-control_3 | 0-16383 | General purpose controller. |
| general-control_4 | 0-16383 | General purpose controller. |
Ex:
my \t = Track.new;
t.pan: 3489;Changes the program of the current channel.
It has one argument, the program number from 0 to 127.
my \t = Track.new;
t.program-change: 100; # Effect 5 in General MIDI.The pitch-bend method applies a pitch bend to the current channel. It takes an optional argument from 0 to 16383. Values below 8192 bend the pitch downwards, and values above 8192 bend the pitch upwards. If no argument is given, the pitch bend returns to its default value of 8192 which is no pitch bend. The pitch range may vary from instrument to instrument, but is usually +/- 2 semitones.
my \t = Track.new;
t.pitch-bend: 0; # Bends the pitch as low as possible.
t.pitch-bend; # Removes pitch bend by applying the default: 8192.The sysex method implements a simple sysex message. It takes a list of dataBytes, and surrounds them with sysex start and end bytes: F0 F7
my \t = Track.new;
t.sysex: <0A 29 1E>;The add-bytes method lets you add arbitrary bytes to the track. Unlike other methods, it does not add delta-time nor does it reset delta-time to 0. add-bytes is mostly useful for testing purposes.
my \t = Track.new;
t.add-bytes: <00 F0 0A 29 1E F7>;The render method renders the MIDI track information gathered up to that point. It is used to pass the track's MIDI data to the Song class.
my \t = Track.new;
t.note-on: 60;
t.delta-time: 128;
t.note-off: 60;
my \s = Song.new;
s.add-track(t.render);To run all tests, simply use the following command in the root of MIDI::Make.
➤ raku -Ilib t/all.rakutest
Alternatively, you can use Test::Selector to selectively run tests.
➤ tsel :: Run all tests.
➤ tsel s1 :: Run the s1 test.
➤ tsel s\* :: Run all s tests.
- Official MIDI Specification
- One-pager MIDI Specification
- MIDI Files Specification
- MIDI Beat Time Considerations
- MIDI Timing
MIT, copyright © 2022 Pierre-Emmanuel Lévesque